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Research and reporting features
Feature writers tend to spend much more time researching and reporting their story than writing it. That's because to write with authority, intelligence and a fresh perspective, you need a comprehensive picture of your story's topic. Here are a few excellent guides and resources that feature writers should check out More»  Comments (1) »
Style and structure
As seasoned writers know, the creative side of their work demands they think about, practice and play with writing styles and structures. Much of this can be learned by heeding the advice of experts. Here are some links to theoretical reflections about, and practical tips on, the writing process.

At the same time, one of the surest routes to becoming a better writer is to become a better reader - so you may want to check out some of our favourite stories.   
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Selling to, and working with, editors
Editing can be mysterious work – so mysterious that talents as indubitable as Marcel Proust, Theodor Geisel (Dr Seuss) and JK Rowling all received multiple rejection letters before finally getting an editor to pay attention to their work. Knowing what will sell in the world of feature writing, where and why is, at best, murky business. But you can demystify the editing process and exercise some control over the destiny of your work in two basic ways: by understanding what an editor does; and by perfecting your story’s pitch.
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The ethics of feature writing
In Chapter 10 of The Bigger Picture, Ivor Shapiro writes of "the seductive similarity" between feature writing and fiction writing:

Both are rooted in careful observation, research, sympathy for the human condition, and careful thinking. Both are characterized by writing that paints pictures and draws the reader inward and onward by means of scenes, plot, character development, voice, tone and point of view. And both operate and succeed at two distinct levels—that of narrative (where the audience asks, in the literary critic Northrop Frye's words, "How will this story turn out?") and that of theme ("What is the point of this story?").  But there are important differences, too—the most obvious of which is that good journalists don't make stuff up....

Here are some works and resources mentioned in the chapter.
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Favourite features
Here are links to some feature stories that we love, Canadian and otherwise. To view many more exemplary works, search by genre, subject or award (as well as author, keyword, title and publication) at the J-Source database of award-winning journalism

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Online tools for long-form journalism
Poynter Online's Mallary Jean Tenore looks at how technology is giving long-form journalism another chance at survival... More»
The ethics of feature writing
In his book, The Bigger Picture, Ivor Shapiro includes a chapter about the ethics of feature writing...  More»
Tyee fellowship final countdown
With just 3 days left to donate, The Tyee's Investigative and Reporting fellowships are just $1,000 shy of the fiesty publication's $10,000 goal. The money raised will fund two stories - one investigative and one solutions-based - on critical issues in British Columbia... More»
CAJ workshop: Storytelling for Broadcast
CAJStorytelling is at the heart of all good journalism. "Storytelling for Broadcast", a workshop led by broadcast journalism professor Marsha Barber at the upcoming CAJ conference, offers journalists specific tools to create compelling news features and documentaries.  More»
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